Join hosts Sam, Sierra, Sophia, and guest Matthew as they discuss the magic behind wizarding portraits and paintings.
In this episode:
- Differences between paintings and photography
- How does distance work in paintings?
- Are wizard paintings the magical version of AI?
- 2 years in, we have now introduced the “podcast canon”
- Gilderoy Lockhart’s paintings obliviate the other paintings
- Is it possible to create fantasy characters in paintings?
- Argus Filch, the painting restorator and curator
Resources:
- What Is the Point of Argus Filch? by Mikaela Renshaw
When I think of transitions in Strike, the first thing that comes to mind is the Blue Land Rover, which is practically a character, along with the Denmark Street office.
A few thoughts!
Filch’s job as a caretaker could include:
Regarding portrait painting:
Regarding learning art/portrait painting in Hogwarts:
French cats – way to undermine the bit! :o)
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At one point I made a “ooooOOoooo” noise that I don’t think we ever came back to: it was the thought that, if portraits can develop and grow based on their own experiences, you could have a subject and their portrait that (while starting out the same when the portrait was painted) diverge and become very different people.